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Что такое агрессивная косметика


Eminent figures drawn from the history of religion and art are juxtaposed here with the most savage animality. The Galerie Thaddaeus Ropac is pleased to announce the first exhibition in Salzburg of works by Yan Pei-Ming, a Chinese-born painter who has been working between Paris and Dijon France for over 30 years. In his Aggressive Beauty exhibition, Yan Pei-Ming has opted to combine fundamentally different themes. The contrast between black and white — or, more rarely, between black and red — subtly varies nuances of light and shade and imbues each subject with a sculptural dimension.

For some time now, however, the artist has been generously expanding his palette.

YOHIO - Aggressive Beauty

Что такое агрессивная косметика

However, these visually disparate motifs, theoretically antinomic in nature, have a common denominator: Viewed close up, his paintings are powerfully abstract, but give way to a figurative intensity as one backs up to view them from a distance and as the contours of each subject re-emerge. Eminent figures drawn from the history of religion and art are juxtaposed here with the most savage animality. The contrast between black and white — or, more rarely, between black and red — subtly varies nuances of light and shade and imbues each subject with a sculptural dimension.

In this new group of works, Yan Pei-Ming explores a wider chromatic range, though remaining faithful to his style of vigorous and ample brushstrokes. The Galerie Thaddaeus Ropac is pleased to announce the first exhibition in Salzburg of works by Yan Pei-Ming, a Chinese-born painter who has been working between Paris and Dijon France for over 30 years.

In his Aggressive Beauty exhibition, Yan Pei-Ming has opted to combine fundamentally different themes.

Что такое агрессивная косметика

Viewed close up, his paintings are powerfully abstract, but give way to a figurative intensity as one backs up to view them from a distance and as the contours of each subject re-emerge. Eminent figures drawn from the history of religion and art are juxtaposed here with the most savage animality. For some time now, however, the artist has been generously expanding his palette.

In this new group of works, Yan Pei-Ming explores a wider chromatic range, though remaining faithful to his style of vigorous and ample brushstrokes. In his Aggressive Beauty exhibition, Yan Pei-Ming has opted to combine fundamentally different themes.

The Galerie Thaddaeus Ropac is pleased to announce the first exhibition in Salzburg of works by Yan Pei-Ming, a Chinese-born painter who has been working between Paris and Dijon France for over 30 years. The contrast between black and white — or, more rarely, between black and red — subtly varies nuances of light and shade and imbues each subject with a sculptural dimension. In his Aggressive Beauty exhibition, Yan Pei-Ming has opted to combine fundamentally different themes.

For some time now, however, the artist has been generously expanding his palette. Eminent figures drawn from the history of religion and art are juxtaposed here with the most savage animality. However, these visually disparate motifs, theoretically antinomic in nature, have a common denominator:

Что такое агрессивная косметика

Viewed close up, his paintings are powerfully abstract, but give way to a figurative intensity as one backs up to view them from a distance and as the contours of each subject re-emerge. The Galerie Thaddaeus Ropac is pleased to announce the first exhibition in Salzburg of works by Yan Pei-Ming, a Chinese-born painter who has been working between Paris and Dijon France for over 30 years. In this new group of works, Yan Pei-Ming explores a wider chromatic range, though remaining faithful to his style of vigorous and ample brushstrokes.

Что такое агрессивная косметика

Что такое агрессивная косметика

Viewed close up, his paintings are powerfully abstract, but give way to a figurative intensity as one backs up to view them from a distance and as the contours of each subject re-emerge. In his Aggressive Beauty exhibition, Yan Pei-Ming has opted to combine fundamentally different themes. In this new group of works, Yan Pei-Ming explores a wider chromatic range, though remaining faithful to his style of vigorous and ample brushstrokes.

However, these visually disparate motifs, theoretically antinomic in nature, have a common denominator: The contrast between black and white — or, more rarely, between black and red — subtly varies nuances of light and shade and imbues each subject with a sculptural dimension.

The contrast between black and white — or, more rarely, between black and red — subtly varies nuances of light and shade and imbues each subject with a sculptural dimension. Eminent figures drawn from the history of religion and art are juxtaposed here with the most savage animality. The subjects express a muffled strength or an immediate brutality before revealing their potential to draw us in, even to mesmerize us.

In this new group of works, Yan Pei-Ming explores a wider chromatic range, though remaining faithful to his style of vigorous and ample brushstrokes. However, these visually disparate motifs, theoretically antinomic in nature, have a common denominator:



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